Dungeon Crawler Carl – Season 1, Episode 7: Luck Goes Both Ways, Like Your Mom – Immersion Tunnel
By Matt Dinniman
Rated 4.95454545455 out of 5 based on 44 customer ratings
$3.99
- Series: Dungeon Crawler Carl
- Narration: Jeff Hays
- Featuring: Ryan H. Reid, Ian M. Walker, Justin Thomas James, Julian Smith, Andrea Parsneau, Dorrie Sacks, Laurie Catherine Winkel, Alejandra LaFlor, Gary Furlong, Annie Ellicott, Eddy Yeung
- Sound Design: Ahmed Mahmoud
- Length: 1 hour and 56 minutes
Overall:
Rated 4.95454545455 out of 5 based on 44 customer ratings
Performance:
Rated 4.95454545455 out of 5 based on 44 customer ratings
FX:
Rated 4.95454545455 out of 5 based on 44 customer ratings
Plot:
Rated 4.95454545455 out of 5 based on 44 customer ratings
Dungeon Crawler Carl – Season 1, Episode 7: Luck Goes Both Ways, Like Your Mom – Immersion Tunnel
Synopsis
An exploit is used to its full potential. Carl and Donut encounter an old friend.
© 2023 Matt Dinniman ℗ 2024 Soundbooth Theater
About The Author
Matt Dinniman is a writer and artist from Gig Harbor, Washington. He is the author of the best-selling Dungeon Crawler Carl series along with several other books about the end of the world. He doesn't really hate Cocker Spaniels, and he plays bass in two bands.
Details
- Release Date: 01/16/2024
- Imprint: Soundbooth Theater
- Genres: Adventure, GameLit, Post-Apocalyptic
Additional Credits
- Editing and Mastering: Ahmed Mahmoud
- Bonus Material Written By: Ben Wolf
- Music Written and Performed By: Jeff Hays, Eddy Zak, Aaron J. Morton, Justin Thomas James, Ahmed Mahmoud
- Drums Performance: Joey Hanna
- Special Keyboard Guest: Brockett Parsons
- Music Production: Aaron J. Morton, Justin Thomas James, Eddy Zak, Ahmed Mahmoud
- Additional Sound Design: Richard Smith, Agustin Jacob
- Script Editing: Nicolas Lagrand
- Direction: Jeff Hays
music is distracting
I love Jeff Hays performance. Magnificent. Wonderful. ... I've listened to the books, and now I'm giving the serialized version of the story a go via Soundbooth Theater with all the bells and whistles. I appreciate some of the background noises, the ambiance noises, the experiential noises--but the overlay of music just makes the production unnecessarily busy and detracts from the experience of being able to internally experience the story.